KANWALJEET SINGH THIND BFE
DOCUMENTARY EDITOR
Documentary editor working across premium factual, feature documentaries and high-end television.
I shape difficult material into films that feel clear, compelling and emotionally truthful.
01 / SELECTED WORK
Knife Edge: Chasing Michelin Stars
Welcome to Hell
1 × 60′ Documentary
Studio Ramsay Global / Apple TV+
As chef Giuseppe Iannotti pushes his two-star kitchen to breaking point in pursuit of a third Michelin star, a family-run countryside restaurant stakes its future on earning its first.
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Being Gordon Ramsay
Episode 2
1 × 60′ Documentary
Studio Ramsay Global / Netflix
As delays threaten the 22 Bishopsgate launch, Gordon travels to Las Vegas to secure a high-profile Formula 1 deal, while daughter Holly’s engagement brings the family together amid the mounting pressure.
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Boyzone: No Matter What
When the Going Gets Tough
1 × 60′ Documentary
Curious Films / Sky Documentaries
As Boyzone reach new heights, relentless tabloid scrutiny places Stephen Gately at the centre of a media storm, while pressure around Ronan Keating’s solo career begins to fracture the band.
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The Body Next Door
Act 2 [The Secret]
1 × 60′ Documentary
RAW TV / Sky Documentaries
While forensic officers search for evidence, the investigation uncovers a complex web of lies, leaving the village in turmoil.
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Erased: WW2’s Heroes of Color
D-Day
1 × 60′ Documentary
October Films / National Geographic / Disney+
As the all-Black 320th Barrage Balloon Battalion lands on the beaches of Normandy, its soldiers risk everything to help liberate Europe—only to return home and see their heroism erased.
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Louis Theroux’s Forbidden America
Porn’s MeToo
1 × 60′ Documentary
Mindhouse Productions / BBC Two
As performers challenge alleged abuse within the adult-film industry, Louis confronts both accusers and the accused, exposing a world divided by power, consent and accountability.
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02 / ABOUT
CLEAR STORIES FROM COMPLEX MATERIAL.
Strong documentaries can falter in the edit — when structure is unclear, tone begins to drift or the material has not yet found its form.
I work with directors and producers to solve those problems, shaping complex crime, observational and archive-heavy material into clear, compelling and emotionally truthful films.
Whether working independently from first assembly or joining an established edit, my approach is consistent: identify the editorial problem, clarify the narrative engine and shape the material decisively.
UK BASED · REMOTE AND CUTTING-ROOM WORK · AVID MEDIA COMPOSER
03 / CONTACT